Tag: science and technology studies

Article on COVID-19 testing situations on Twitter published in Social Media + Society

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An article on “Testing and Not Testing for Coronavirus on Twitter: Surfacing Testing Situations Across Scales With Interpretative Methods” has just been published in Social Media + Society, co-authored by Noortje Marres, Gabriele Colombo, Liliana Bounegru, Jonathan W. Y. Gray, Carolin Gerlitz and James Tripp, building on a series of workshops in Warwick, Amsterdam, St Gallen and Siegen.

The article explores testing situations – moments in which it is no longer possible to go on in the usual way – across scales during the COVID-19 pandemic through interpretive querying and sub-setting of Twitter data (“data teasing”), together with situational image analysis.

The full text is available open access here. Further details and links can be found at this project page. The abstract and reference are copied below.

How was testing—and not testing—for coronavirus articulated as a testing situation on social media in the Spring of 2020? Our study examines everyday situations of Covid-19 testing by analyzing a large corpus of Twitter data collected during the first 2 months of the pandemic. Adopting a sociological definition of testing situations, as moments in which it is no longer possible to go on in the usual way, we show how social media analysis can be used to surface a range of such situations across scales, from the individual to the societal. Practicing a form of large-scale data exploration we call “interpretative querying” within the framework of situational analysis, we delineated two types of coronavirus testing situations: those involving locations of testing and those involving relations. Using lexicon analysis and composite image analysis, we then determined what composes the two types of testing situations on Twitter during the relevant period. Our analysis shows that contrary to the focus on individual responsibility in UK government discourse on Covid-19 testing, English-language Twitter reporting on coronavirus testing at the time thematized collective relations. By a variety of means, including in-memoriam portraits and infographics, this discourse rendered explicit challenges to societal relations and arrangements arising from situations of testing and not testing for Covid-19 and highlighted the multifaceted ways in which situations of corona testing amplified asymmetrical distributions of harms and benefits between different social groupings, and between citizens and state, during the first months of the pandemic.

Marres, N., Colombo, G., Bounegru, L., Gray, J. W. Y., Gerlitz, C., & Tripp, J. (2023). Testing and Not Testing for Coronavirus on Twitter: Surfacing Testing Situations Across Scales With Interpretative Methods. Social Media + Society, 9(3). https://doi.org/10.1177/20563051231196538

Working paper on “Testing ‘AI’: Do we have a situation?”

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A new working paper on “Testing ‘AI’: Do We Have a Situation?” based on conversation between Noortje Marres and Philippe Sormani has just been published as part of a working paper series from “Media of Cooperation” at the University of Siegen. The paper can be found here and further details are copied below.

The new publication »Testing ‘AI’: Do We Have a Situation?« of the Working Paper Series (No. 28, June 2023) is based on the transcription of a recent conversation between the authors Noortje Marres und Philippe Sormani regarding current instances of the real-world testing of “AI” and the “situations” they have given rise to or as the case may be not. The conversation took place online on the 25th of May 2022 as part of the Lecture Series “Testing Infrastructures” organized by the Collaborative Research Center (CRC) 1187 “Media of Cooperation” at the University of Siegen Germany. This working paper is an elaborated version of this conversation.

In their conversation Marres and Sormani discuss the social implications of AI based on three questions: First they return to a classic critique that sociologists and anthropologists have levelled at AI namely the claim that the ontology and epistemology underlying AI development is rationalist and individualist and as such is marked by blind spots for the social and in particular situated or situational embedding of AI (Suchman, 1987, 2007; Star, 1989). Secondly they delve into the issue of whether and how social studies of technology can account for AI testing in real-world settings in situational terms. And thirdly they ask the question of what does this tell us about possible tensions and alignments between different “definitions of the situation” assumed in social studies engineering and computer science in relation to AI. Finally they discuss the ramifications for their methodological commitment to “the situation” in the social study of AI.

Noortje Marres is Professor of Science Technolpgy and Society at the Centre for Interdisciplinary Methodology at the University of Warwick and Guest Professor at Media of Cooperation Collaborative Research Centre at the University of Siegen. She published two monographs Material Participation (2012) and Digital Sociology (2017). 

Philippe Sormani is Senior Researcher and Co-Director of the Science and Technology Studies Lab at the University of Lausanne. Drawing on and developing ethnomethodology he has published on experimentation in and across different fields of activity ranging from experimental physics (in Re- specifying Lab Ethnography, 2014) to artistic experiments (in Practicing Art/Science, 2019). 

The paper »Testing ‘AI’: Do We Have a Situation?« is published as part of the Working Paper Series of the CRC 1187 which promotes inter- and transdisciplinary media research and provides an avenue for rapid publication and dissemination of ongoing research located at or associated with the CRC. The purpose of the series is to circulate in-progress research to the wider research community beyond the CRC. All Working Papers are accessible via the website.

Image caption: Ghost #8 (Memories of a mise en abîme with a bare back in front of an untamable tentacular screen), experimenting with OpenAI Dall-E, Maria Guta and Lauren Huret (Iris), 2022. (Courtesy of the artists)

forestscapes listening lab at re:publica 23, Berlin, 5-7th June

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As part of the forestscapes project we’re organising a listening lab at re:publica 23, the digital society festival in Berlin, 5-7th June 2023:

How can generative soundscape composition enable different perspectives on forests in an era of planetary crisis? The forestscapes listening lab explores how sound can serve as a medium for collective inquiry into forests as living cultural landscapes.

The soundscapes are composed with folders of sound from different sources, including field recordings from researchers, sound artists and forest practitioners, as well as online sounds from the web, social media and sound archives. They are composed using custom scripts with the open source supercollider software as well as open source norns device, a “sound machine for the exploration of time and space”.

The re:publica installation will include soundscapes from workshops in London and Berlin – including some new pieces from the Environmental Data, Media, and the Humanities hackathon last week.

Cross-posted from jonathangray.org.

“Seven moments with Bruno Latour” by Noortje Marres

Posted on | by Jonathan Gray

Social Studies of Science has just published “Seven moments with Bruno Latour” by Noortje Marres, Professor in Science, Technology and Society at the Centre for Interdisciplinary Methodologies (University of Warwick) and founding member of the Public Data Lab.

The piece moves across memories, conversations and encounters from 1999 to 2022, situating explorations of issue mapping, controversy mapping, hyperlink analysis, ecological politics, feminist science and technology studies, modes of existence, protocols for collective inquiry, and arts-based methods.

An excerpt on “Limburg, 1999”:

It is a rainy afternoon in Limburg, in the south of the Netherlands. I have taken a local train from Maastricht to Kerkrade to visit Rolduc, a Catholic abbey that also hosts academic conferences, and where the Dutch Graduate School for Science, Technology and Modern Culture (WTMC) is holding a meeting. I have a poster with me, a map of the Genetically Modified Food debate on the Web, a circle of nodes representing the websites of organizations that take positions on the issue of GM Foods, and the hyperlinks that connect them. I made this poster with colleagues at the Jan van Eyck Academy, a post-graduate art school in Maastricht, where am working as a theorist-in-residence in the Design Department, as part of a team led by Richard Rogers, the media scholar, to develop digital methods of issue mapping.

It is wet and windy when I arrive in Kerkrade, and I approach the old, tall buildings of Rolduc abbey with what I can only call trepidation. Bruno has invited me to show our poster at the WTMC conference, but I am not at all sure that this was a good idea. I am not even a PhD student, and am based in an art school. I am a stranger. Fortunately, by the time I walk into the conference the poster session is about to start, and I am relieved that I can put my poster on the wall and simply stand there, next to my poster, in a clearly defined role. Bruno asks a lot of questions. Who are these organizations? What can the hyperlinks between them tell us about their ‘position’ in the controversy, and about the controversy itself? He does not ask: Why are you showing us a … data visualization? He does not ask: What are you doing, art or social science? He does not ask: If your poster presents a study of public controversy, then why are you doing this work in a graphic design department? Others join us and we have a conversation.

In 1999, to create what we would later call digital controversy maps was to step into an under-defined, interdisciplinary space. Our work at the Jan van Eyck Akademie brought together STS with design research, computing, internet studies and environmental politics, and at the time this did not make much institutional sense. Our work also looks strange. Indeed, how can one show a network visualisation and call it a debate? As it turned out Bruno Latour was strongly supportive of our approach: the development of interdisciplinary methods of inquiry, which combine social science with art and design, became one of his principal occupations in the decades that followed.

Article on “Engaged research-led teaching: composing collective inquiry with digital methods and data”

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A new article on “Engaged research-led teaching: composing collective inquiry with digital methods and data” co-authored by Jonathan Gray, Liliana Bounegru, Richard Rogers, Tommaso Venturini, Donato Ricci, Axel Meunier, Michele Mauri, Sabine Niederer, Natalia Sánchez-Querubín, Marc Tuters, Lucy Kimbell and Anders Kristian Munk has just been published in Digital Culture & Education.

The article is available here, and the abstract is as follows:

This article examines the organisation of collaborative digital methods and data projects in the context of engaged research-led teaching in the humanities. Drawing on interviews, field notes, projects and practices from across eight research groups associated with the Public Data Lab (publicdatalab.org), it provides considerations for those interested in undertaking such projects, organised around four areas: composing (1) problems and questions; (2) collectives of inquiry; (3) learning devices and infrastructures; and (4) vernacular, boundary and experimental outputs. Informed by constructivist approaches to learning and pragmatist approaches to collective inquiry, these considerations aim to support teaching and learning through digital projects which surface and reflect on the questions, problems, formats, data, methods, materials and means through which they are produced.

Make a deal with Gephisto

Posted on | by Public Data Lab

Mathieu Jacomy and Anders Munk, TANT Lab & Public Data Lab

6 minutes read

Make a deal with Gephisto

Gephisto is Gephi in one click. You give it network data, and it gives you a visualization. No settings. No skills needed. The dream! With a twist.

Gephisto produces visualizations such as the one above. It exists as a website, and you can just try it below. It includes test networks, you don’t even need one. Do it! Try it, and come back here. Then we talk about it.

https://jacomyma.github.io/gephisto/

Continue reading →

“Algorithm Trouble” entry in A New AI Lexicon

Posted on | by Public Data Lab

 A short piece on “Algorithm Trouble” for AI Now Institute‘s A New AI Lexicon, written by Axel Meunier (Goldsmiths, University of London), Jonathan Gray (King’s College London) and Donato Ricci (médialab, Sciences Po, Paris). The full piece is available here, and here’s an excerpt:

“For decades, social researchers have argued that there is much to be learned when things go wrong.¹ In this essay, we explore what can be learned about algorithms when things do not go as anticipated, and propose the concept of algorithm trouble to capture how everyday encounters with artificial intelligence might manifest, at interfaces with users, as unexpected, failing, or wrong events. The word trouble designates a problem, but also a state of confusion and distress. We see algorithm troubles as failures, computer errors, “bugs,” but also as unsettling events that may elicit, or even provoke, other perspectives on what it means to live with algorithms — including through different ways in which these troubles are experienced, as sources of suffering, injustice, humour, or aesthetic experimentation (Meunier et al., 2019). In mapping how problems are produced, the expression algorithm trouble calls attention to what is involved in algorithms beyond computational processes. It carries an affective charge that calls upon the necessity to care about relations with technology, and not only to fix them (Bellacasa, 2017).”

“Ways of Listening to Forests” workshop at Critical Zones exhibition, ZKM, 26th November 2021

Posted on | by Jonathan Gray

There will be a free online workshop on 26th November 2021 featuring our forest listening project as part of the Critical Zones exhibition curated by Bruno Latour and Peter Weibel at the ZKM Center for Art and Media. This builds on a previous workshop in the summer. The sound pieces are now online as part of the Critical Zones exhibition and can be downloaded from the project website.

This piece is cross-posted from jonathangray.org.